Solange Govia Designs the Future of Trinidad Carnival, One Mas at a Time

In an exclusive interview, celebrated costume designer and creative visionary Solange Govia shares how she blends tradition with innovation to shape the global Carnival experience.

Trinidad Carnival is more than just feathers, beads, and music—it’s a centuries-old tradition rooted in resistance, resilience, and cultural pride. Originating from enslaved Africans who used masquerade as a way to reclaim their identity, the festival has evolved into one of the most anticipated cultural spectacles in the world. It is here, in the heart of this ever-evolving tradition, that Solange Govia has made her mark, blending heritage with innovation to redefine the art of mas.

“Trinidad Carnival is often imitated but never duplicated,” Govia says, her voice carrying both pride and conviction. “You cannot recreate the essence of what we have—moments like Kambulé, stickfighting, ole mas, and steelpan are memorialized in our history as a people. This is something we must continue to maximize, protect, and preserve.”

For over 15 years, Govia has been at the forefront of Carnival design, not only as a creative force but also as an Operations Manager for HARTS and Lost TRIBE, two powerhouse bands under the TRIBE Group. But her entry into the industry wasn’t planned—it was pure serendipity.

“The old story goes that I completed university in Canada and returned to Trinidad because I wanted to be close to my family,” she recalls with a smile. “I figured I’d find a ‘real job,’ but before I started looking, someone needed help at a Mas camp, so I said okay. I figured I’d help out for two to three weeks. Then a month passed. Then two months. Now, 15 years later, here I am.”